Very first light, Chief, sharks come cruisin', so we formed ourselves into tight groups. You know, it was kinda like old squares in the battle like you see in the calendar named "The Battle of Waterloo" and the idea was: shark comes to the nearest man, that man he starts poundin' and hollerin' and screamin' and sometimes the shark go away... but sometimes he wouldn't go away. Sometimes that shark he looks right into ya. Right into your eyes. And, you know, the thing about a shark... he's got lifeless eyes. Black eyes. Like a doll's eyes. When he comes at ya, doesn't seem to be living... until he bites ya, and those black eyes roll over white and then... ah then you hear that terrible high-pitched screamin'. The ocean turns red, and despite all the poundin' and the hollerin', they all come in and they... rip you to pieces. You know by the end of that first dawn, lost a hundred men. I don't know how many sharks, maybe a thousand. I know how many men, they averaged six an hour. On Thursday morning, Chief, I bumped into a friend of mine, Herbie Robinson from Cleveland. Baseball player. Boatswain's mate. I thought he was asleep. I reached over to wake him up. Bobbed up, down in the water just like a kinda top. Upended. Well, he'd been bitten in half below the waist. Noon, the fifth day, Mr. Hooper, a Lockheed Ventura saw us. He swung in low and he saw us... he was a young pilot, a lot younger than Mr. Hooper. Anyway, he saw us and he come in low and three hours later a big fat PBY comes down and starts to pick us up. You know that was the time I was most frightened... waitin' for my turn. I'll never put on a lifejacket again. So, eleven hundred men went in the water; 316 men come out and the sharks took the rest, June the 29th, 1945. Anyway, we delivered the bomb.
The Artist is director Michael Hazanavicius ode to the silent films of yesteryear. Not only focus on a silent movie actor and movie making, but it in itself is also a silent movie. The movie follows a silent movie actor named George Valentin through the rise and fall of his career. At the start of the film, we see George as this superstar celebrity; he loves the glitz and glamour of being a famous actor and soaks in all the attention he can get. He loves having his photos taken and being adorned on the front pages of newspapers. He is THAT kind of celebrity. At the premiere event of his latest movie, he bumps into one Peppy Miller – a young woman with big ambitions and dreams in Hollywoodland. The lives of the two intersect and an attraction immediately blossoms. The romance could only go so far as Valentin is a (happily?) married man. George’s superstardom reaches its height at a precarious time. And as the 1920s are ushered out, so are silent movies. The new decade brings w